![]() The only way to bring life back is to ask. AFCN is not responsible for the content of the project or for the way in which the project’s results can be used. Four campers are not only lost in the wood, they are lost at the edge of the world with no land, water, stars or sun. The studio is based in Tasmania, the Island State of Australia with an amazing natural environment with. Latvians have been adjusting since the end of last month, when Russia stopped supplying gas to the Baltic former Soviet state. The project does not necessarily represent the position of The Administration of the National Cultural Fund. Thus humanity is in danger of going over this edge. Woolly socks and thermostats turned down a notch: Europeans are preparing for a difficult winter without gas supplies from Russia, part of the fallout from Moscow’s war in Ukraine. The exhibition is part of ART-UP, a cultural project that has been co-financed by The Administration of the National Cultural Fund. The model of nature arises as a method through which all dualities are organically healed, while repetition and seriality represent opportunities for changing something, for finding that difference which imposes itself as a critical mechanism, reminding us that, in fact, history never repeats itself. It’s part of the much longer Tuwaiq Escarpment, and drops down 1,000 feet into. The site earned its nickname because from atop the escarpment, you have an uninterrupted view of the horizon. With a premonitory title, the exhibition At the edge of the world surprises through its timely, intuitive character. The Edge of the World Saudi Arabia ( Jebel Fihrayn) is an unexpected and dramatic geological wonder in the rocky desert northwest of Riyadh, Saudi Arabia. The sound-drawing, the imprint, the network, the palimpsest, the spatial drawing, the relief drawing, the drawing that scratches, the drawing that caresses, all of these are ways of “reading” the vibration of an increasingly altered reality. Each of the invited artists represents a different direction in what concerns the contemporary visual creation, straining the limit between the visible and the invisible. Game of Thrones), explores the wonders of one of the wildest places on Earth through the lives of extraordinary animals. Starting from the medium of drawing as a conceptual tool through which unknown areas are explored and a visual universe is redefined, the exhibition gives shape to a state of uncertainty and unease, two feelings that are inevitable today. The exhibition aims to render the creative laboratory of the participating artists, visible in drawings and sketches, by analyzing the boundary between the real and fictional worlds that every one of us inhabits. Media partners: TVR Timișoara, Radio România Cultural, RFI România, Observator Cultural, Zeppelin, Modernism, Revista Arta, The Institute, Propagarta, StudentFestĬollaborators: Andra Dascălu, Carmen Nicolau, Maria Orosan Telea, Teo Papadopol, Gavril Pop, Galeria Plan B, Galeria Sector 1, Galeria Sabot Artists: Andrei Arion, Csilla Bartus, Dan Beudean, Ole Blank, Floriama Cândea, Eduard Constantin, Norbert Filep, Camilia Filipov, Lucia Ghegu, Alexandra Mereuți & Sebastian Danciu, Alexandra Satmari, Lucía Simón MedinaĬurators: Diana Marincu & Ciprian MureșanĬo-financer: The Administration of the National Cultural Fund
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